Sign inEight tools you have never had.
And they all know each other.
Chain-of-title contracts in a day. A submission path across 200+ vetted festivals. A buyer map for after the run. A 13-slide investor deck in four minutes. Set the project up once and every one of them starts from your film instead of a blank page.
Get 50% off your first month →50% OFF MONTH 1 · 7-DAY MONEY-BACK · CANCEL ANYTIME
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If any of this sounds familiar
These jobs used to mean hiring someone.
A chain-of-title package is an entertainment attorney. A festival path is a consultant. An investor deck is a designer. A buyer list is a sales agent. On a studio picture those people are line items. On an independent feature at your scale they are the reason half the work quietly never gets done, and the film stalls somewhere between finished and seen.
OGF AI does those jobs. And because all of them run off the same project, the deck knows what is in your contracts and the festival plan knows your budget, which is the part that has no equivalent at any budget.
Eight minutes of setup. Then every tool opens on your film.
Logline, genre, budget bucket, shoot location, attached cast and crew, premiere goal, current phase. About eight minutes, and you only do it once.
Pitch deck, contracts, festival strategy, financing, distribution. Each one opens on your project instead of a blank page, so you are correcting an answer rather than typing the brief again.
PDF, Canva, .docx or a ZIP archive, yours whether or not you stay. An asset library builds as you work, so later outputs arrive faster and stay consistent with the earlier ones.
Eight tools, in the order you will use them.
Hover any frame to watch that tool run. Click it to see what it makes. Nothing here is a mockup.
OGF Mode
Most tools give you a blank box and forget your film the moment you close the tab. OGF Mode holds the project and argues with you about it. It reads what you have written and works from what is actually on the page.
- Reads your script or your notes and works from what is there, not a generic template
- Sessions persist, so you continue instead of re-explaining the project every time
- Pushes back on structure, stakes and market position rather than agreeing with you
- Everything you settle here feeds the deck, the contracts and the festival plan
Story Architect
Structure built backwards from what you can get. It starts with the locations, people and equipment actually available to you, then builds a story that uses them, instead of writing a film you will spend three years failing to finance.
- Beat-by-beat structure shaped around what you can realistically shoot
- Character arcs mapped against your cast and your locations
- A crew and collaborator plan for productions without a financing round
- Carries into the deck and the contracts without re-entering anything
Financing Intelligence
Non-dilutive money is the part most independent filmmakers leave on the table, usually because finding it is a research job nobody has time for. This does the research and then helps you write the applications.
- A 500+ grant database filtered to your project, budget and eligibility
- State and federal incentive estimates against your shoot location
- Application drafts, eligibility checks and deadline tracking
- Recomputes when your budget or your location changes
Pitch Deck Builder
A designer charges three to five thousand for this and takes two weeks. The difference here is consistency: your characters keep the same face across all thirteen slides, which is the thing that makes a generated deck look amateur when it goes wrong.
- Thirteen slides: logline, synopsis, tone, characters, audience, comps, budget, team
- Your cast rendered consistently across every slide
- Comparable titles with verified box office figures
- Export to PDF, Canva, .docx or a ZIP archive
Contract Builder
Chain of title is what a distributor asks for first and what kills deals when it is missing. These are modelled on agreements that were actually signed and performed on independent features, not assembled from a template generator.
- Screenplay assignment, certificates of authorship, results and proceeds
- Director, producer, actor, crew, editor and composer agreements
- Location agreements, music licences, NDAs and minor performer releases
- AI and digital replica clauses in every performer agreement
Festival Strategy
Submission fees are where first-time filmmakers quietly lose thousands, spraying entries at festivals their film was never going to place in. This tiers your realistic shot and tells you where the money is worth spending.
- A submission list across 200+ vetted festivals, refreshed quarterly
- Tiering against what your film can realistically place in
- A cover letter written for each festival you submit to
- A publicity plan that starts the day you are accepted
Distribution Intelligence
The gap between finishing a film and selling it is where most independent features stall. This is the map: who buys films like yours, in what order to approach them, and what the terms should look like before you sign anything.
- A distributor match list tiered by realistic reach
- A pitch packet built for each buyer you approach
- Deal term benchmarks, so you know what is normal before you negotiate
- The post-festival sequence of who to contact and when
Self-Distribution
Going direct is a real option now, and it is a marketing job rather than a film job. This gives you the whole release as an executable plan: who the audience is, where to reach them, and what to spend.
- An audience map with the platforms and communities that will actually show up
- Tracking and lead capture set up before launch, not after
- Creative briefs, landing page copy and page structure
- A campaign and media buying plan you can run yourself
See how this works for what you actually do.
That is the whole system. From $99 a month.
Pick a tier. 50% off your first month, then your plan rate. Cancel anytime, 7-day money-back.
Pick your plan. 50% off month 1 →À la carte, this is $29,500+ in services. Per film.
Pricing
50% off your first month on every paid plan. Cancel anytime, 7-day money-back.
- ◆3 projects/year + 1 bridge film
- ◆Full 13-slide pitch decks
- ◆Complete festival strategies
- ◆Distribution intelligence
- ◆Every contract type your film needs
- ◆All export formats
- ◆8 projects/year + 3 bridge films
- ◆Everything in Filmmaker
- ◆Every contract type your film needs
- ◆Priority support
- ◆20 projects/year + 6 bridge films
- ◆5 team seats
- ◆Every contract type your slate needs
- ◆$5/project overage above quota
- ◆Everything in Producer
- ◆White-label add-on (+$99/mo)
Find out on your terms.
50% off your first month, then your plan rate. If the platform doesn't move your film forward, cancel from settings. 7-day money-back, no retention call, no friction.
Common questions
How is this different from ChatGPT?+
ChatGPT is a blank box that forgets your film the moment you close it. OGF AI keeps a persistent project profile and runs eight purpose-built tools that share it, so your deck, contracts, festival plan, and financing all stay coherent. It's trained on the OGF methodology and real executed indie agreements, not the open internet.
Do I need to be technical to use it?+
No. You answer questions about your film in plain language and the tools generate investor-grade materials. Everything is meant to be reviewed and refined by you before you send it anywhere.
Is my project content safe?+
Yes. Zero Data Retention with our AI infrastructure, application-layer encryption on the most sensitive fields, and row-level security per user. Your content is contractually never used to train AI. Read our full security commitments →
How does the offer work?+
50% off your first month, then your plan rate. Cancel anytime from settings, with 7-day money-back and no retention call. All exports are yours forever, even if you cancel.
What is the One Grand Film Academy?+
It's our $2,000 flagship course: the complete, step-by-step system for making a feature film without investors, loans, or crowdfunding. The same method a community of 1,900+ filmmakers is using right now to get their films made. It covers how to build your cast and crew through collaborative ownership, structure real backend deals, and produce your film with the resources you already have, with no gatekeepers and no permission required. The first 500 members who join for a year get the entire Academy included with that first year, at no extra cost.
Do you offer refunds?+
We offer a 7-day money-back guarantee on your first charge. After that, payments are non-refundable except where required by law.
Can I import my existing materials?+
You can paste in or upload existing decks, treatments, and project notes to seed the system. The asset library starts empty and fills as you use the tools.
Eight tools you have never had.
Set the project up in about eight minutes and see what the first tool hands back. 50% off your first month, cancel anytime, 7-day money-back.
Pick your plan. 50% off month 1 →Four feature films written. A web series that competed at the Emmys. Sundance fellowships. Four feature films directed. A Best Director award. First film debuted at the Chinese Theater (Dances With Films, Hollywood). Through One Grand Film, helped 25+ filmmakers shoot their feature films in the last year, and runs a community of 1,900+ filmmakers all working on their proof projects.